It always starts with a question
Then comes the visualisation
As a visual conceptual artist, I combine social issues with different art forms and techniques. My work has been greatly influenced by my architectural studies in Paris and Berlin and combines aesthetics and technology. In Kramer's Dream, for example, I combine the look of analogue colour photography and the feel of woodcut, in Schrödinger's Cat the chaos of quantum physics and linear illustrations.
Simplifying complex relationships not only serves to make them easier to visualise, but also provides a low-threshold approach to aesthetics by reducing the subject to its essence.
Predominantly abstract, my work should nevertheless remain open and accessible. Often the simplest geometric shapes are used to offer the eye a calm island and to be able to concentrate on the essential.
